7. The Vengeance Trilogy
It’s xenophobic and (probably) racist to only include American trilogies or trilogies with Americans as the stars. Budgets in United States for movies are gigantic. Actors are paid a fortune. Directors are paid a fortune. Writers… well, no one cares about the writers, but that’s a different story. The point is that America often churns out the most flamboyant, big-budget films more than any other country. Either that or Americans have nothing better to do than go to the movies.
Regardless, Vengeance, a South Korean trilogy, shouldn’t be judged by its box office receipts because, frankly, they’re unimpressive. Sometimes, how well a trilogy performs is judged less by dollars and cents and more by the opinions of their peers. In this area, Vengeance has few equals. The nausea-inducing violent scenes have been considered masterpieces by film critics because it weaves in slick mysteries in the plot. Each film has won multiple international awards for its quality despite its low budget and un-American stylings.
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